Program fr att gra skivomslag

London: Macmillan. Mazzarella, Merete Om konsten att bli gammal. Stockholm: Forum. McHugh, Kevin E Three faces of ageism: society, image and place. Old Age in Myth and Symbol. A Cultural Dictionary. New York: Greenwood Press. Merriam, Alan P. The Anthropology of Music. Evanston: Northwestern Univ. Minks, Amanda Yearbook for Traditional Music vol — Myerhoff, Barbara Life not death in Venice: Its second life.

Nahlbom, Stig Nettl, Bruno The Study of Ethnomusicology. Twenty-nine issues and concepts. Nilsson, Bo G. Folkhemmets arbetarminnen.

Stockholm: Nordiska Museet Diss. Nilsson, Mats Nora, Pierre Represen- tations — Nordberg, Karin Radion som folkbildare — Nylund Skog, Susanne Stockholm: Etnologiska institutionen, Univ. Culture Unbound. Americanization and Everyday Life in Sweden.

Lund: Nordic Academic Press. Olick, Jeffrey K. Annual Review of Sociology Delad gemenskap. Ong, Walter Muntlig och skriftlig kultur. Teknologiseringen av ordet. Ortner, Sherry On key symbols. American Anthropologist, — Parfit, Derek Reasons and persons. Oxford: Clarendon Press.

Petersson, Bodil Arkeologi och rekonstruktion. Pettan, Svanibor red. Music, politics and war. Views from Croatia. Zagreb: In- stitute of Ethnology and Folklore Research. Politiska resurser och aktiviteter — Ponzio, Sofia Pripp, Oscar I: Boja eller befrielse. Etnicitets- forskningens inriktning och konsekvenser. Arnstberg, Karl-Olov red. Rajala, Pertti Stockholm: Spri. Rice, Timothy Aspects of Bulgarian musical thought. Yearbook of the IFMC vol — Ristilammi, Per-Markku En studie i modern annorlundahet.

Ronai, Carol Rambo I: Aging and Everyday Life. Jaber F. Holstein red. Oxford: Blackwell. Att gestalta ett ursprung. En musiketnologisk studie av dansan- de och musicerande bland jugoslaver i Stockholm. Gamlas musik — gammal musik? I: Vem ska ta hand om de gamla invandrarna? Russindisco och seniordans. Vem ska ta hand om de gamla invandrarna? Rosengren, Anette En etnologisk studie. Runfors, Ann En studie av hur invandrarskap formas i skolan.

Stockholm: Prisma. Russo, Mary Aging and the Scandal of Anachronism. Woodward, Kathleen red. Bloomington, Ind. I: Spelrum. Opening up closings. I: The Dis- course Reader. London: Rouledge. Samuel, Raphael Theatres of memory. Past and present in contemporary cul- ture. London: Verso. Sarup, Madan Identity, culture and the postmodern world. Edinburgh: Edin- burgh Univ. Saussure, Ferdinand de Staffanstorp: Cavefors. Strauss Field Research. Strategies for a Natu- ral Sociology.

Englewood Cliffs: Prentice-Hall. Generations and Collective Memories. American Sociological Review — On multiple realities.

I: Collected Papers I. The Problem of So- cial Reality. Haag: Nijhoff. Sedgwick, Eve Kosofsky Epistemology of the Closet. Berkeley: Univ of Califor- nia Press. Seeger, Anthony When Music makes history. I: Ethnomusicology and Modern Music History. Blum, Stephen; Philip V. Neuman red. Urbana: Univ of Illinois Press. Segalen, Victor Essay on Exoticism. An Aesthetics of Diversity. Durham, N. Selberg, Torunn Tradisjon, kulturarv og minnespolitikk. Kulturarv och minnespolitik. Socialvetenskaplig Tidskrift Shaw, Will Characterizing rock music culture.

I: On record. London: TJ Press. Sima, Jonas Sagan Snoddas. Sverige i oskuldens tid. Sjung, svenska folk Sklar, Deirdre Journal of American Fol- klore :9— Small, Christopher The Meanings of Performing and Listening. Ha- nover, NH.

Sohlmans musiklexikon, — Sokolovsky, Jay Vol — Sontag, Susan The double standard of aging. Saturday Review SOU Stockholm: Socialdepar- tementet. Spencer, Paul The riddled course: theories of age and its transformations. Spencer, Paul red. Stock, Jonathan P The World of Music — Stockfelt, Ola Musik som lyssnandets konst.

En analys av W. Mozarts symfoni No 40, g moll K. Stokes, Martin The Musical Con- struction of Place. Strand, Karin Kulturella Perspektiv — Sussman, Henry Sutorius, Ulrika Mot passivitet och isolering. Swane, Christine E Hverdagen med demens. Billeddannelser og hverdagserfa- ringer i kulturgerontologisk perspektiv. Svensk ordbok Solna: Esselte Studium. Stockholm: Nordiska Museet.

Svensson, Birgitta Kulturella identiteter i tid och rum. Alsmark, Gunnar red. Svensson, Ingeborg Liket i garderoben. Stockholm: Verbum. Tagg, Philip Fernando the flute.

Analysis of musical meaning in an ABBA mega- hit. Taylor, Charles The Ethics of Authenticity. Cambridge, Mass. Terdiman, Richard Present Past. Modernity and the Memory Crisis. Berkeley: Univ of California Press. Tidemalm, Dag Aktiv, frisk och gemensam eller passiv, sjuk och ensam. Titon, Jeff Todd The Life Story.

Journal of American Folklore vol — Tornstam, Lars a. Myter inom det gerontologiska forskningsparadigmet. Hallberg, Hans red.

Tornstam, Lars b Trossholmen, Ninni Tid till eftertanke. Trouillot, Michel-Rolph Silencing the Past. Power and the Production of History. Boston, Mass. Turner, Bryan S. Aging and Identity. Some reflections on the somatization of the self. Cultural representations of later life. Turner, Victor : Dramas, Fields and Metaphor. Symbolic Action in Human Society.

Ithaca, N. Turner, Victor The Ritual Process. Structure and Anti-structure. Van Maanen, John Tales of the field. Musik tar tid. Liknelsen ska ha formulerats av Joel Lindefors under ett samtal med Jon Cullblad. Resonemanget utvecklas bland annat av Fredrika Spindler i hennes bok Spinoza. Multitud, affekt, kraft.

Hegels Estetiken. Initiativet till No Music Day www. En sammanfattande definition av begreppet ressentiment ges av Gilles Deleuze i hans bok Nietzsche ochfilosofin. Fram till i slutet av talet kunde skivbolagen och etermedierna fortfarande reglera utbudet. Public Pastes. YAML 21 min ago 7. JavaScript 39 min ago 1. JavaScript 47 min ago 1. Men en ny mobiltelefon vore ju bra!

Hyr in den kompetens du saknar! Eller en copywriter. Och fotograf. Sedan tar jag ofta en halvtimmes lunch och Vill du visa dina bilder i Yippie? Lycka till! SIDAN Kanske trollade hon bort karies? Leva livet. Global inblick. Kommunicera mera. Noratrion Visor i folkmusikton. Metropol kl 20 Ons 5. Question from Markus posted June 16, Hi Anders, I guess you don't need to publsh this one but I thought this will interest you.

Hey there, Anders. Its been quite sometime since I've approached you with my latest question, but the new Nasum t-shirt, "Terror", had brought something to my attention.

I'm sure this was meant to mock its previous history, but I was wondering what your thoughts were behind it, and if you were involved in the design at all? Well, according to the wikipedia link you attached a sun cross is "a cross inside a circle", which is not the case with the "Terror" design.

I prefer the musical reference: "In modern music tablature the sun cross can denote a change of guitar from an acoustic tone to a Distortion tone", which works with the song "Fight terror with terror" that is the basis of the shirt title and quoted lyrics in the print.

I approved the design. Question from L posted May 10, All the info you need. Question from sick posted April 14, Looking foward for them!!!! Question from Mark Distorsore posted March 8, Riktningarna ni tog, var de medvetna eller periodvisa?

Question from Lee posted February 27, Hi Anders just wondering if you've heard Wormrot from Singapore? I heard them the other day and I thought they were an amazing grind band, and thought you might be interested if you have'nt heard them, their Myspace is www.

Question from lucas posted February 5, I don't have that information. Should have paid attention to that in the past. Question from steven.. Yes, he was in school for about a year learning the basic stuff, but I also think he had a natural talent for it. I can't really remember that he had a real interest in the subject in question before he took that course. I think that it won't hurt to learn the basics through a course of some sort.

Again, it's a matter of talent. I got neither any skills nor talent for sound engineering so it's just some pointless trial and error that's going on when I try to mix and shape the sound.

Recording is easy, editing is easy, but mixing is something else. Question from Torte posted January 26, Yes, the server where I had the songs and videos is dead so currently I have nowhere to have them. There are some stuff over at YouTube so have a look there. Question from Irvingrid posted December 30, Hey anders, do you know any info od the tribute to nasum, and any kind of info of the producers, cause it would be great to have'em on contact.

Question from Rami posted December 10, Is there gonna be any Nasum shirts in stock in the future?.. Hey, Anders. The shock of this year for myself was when my band Venocide was announced that we made it onto the Nasum tribute. We did "Disforest" in such a fast effort in my living room with cheap mics, I really wish we had the recording equipment we have now compared to back then. But anyways, have you gotten your hands and gave the CD a listen yet?

Power It Up stated they released it in November, but I haven't heard much news on the tracks.. Question from grindattack! Yes, it's copies and I wouldn't count on a second pressing. Limited edition! Question from Prolog posted November 20, They include bonus tracks related tracks, all available on "Grind Finale" and new liner notes written by me.

Question from Josh posted November 11, Anders, can you imagine going back to the bassguitar including singing? With another band or project. Someday, somehow? I mean your vocals were also very special to a lot of people. This was fucking brutal. They were truly intensive and kinda independent. Argh, I am looking for the right word which should replace "independent".

But I think you know what I mean. Unless it's a band playing really simple music I would not consider playing any string instrument again. I'm quite happy being able to compose songs but I'm too sloppy to play the guitar or the bass for real. Doing more vocals will never happen though. I was just lucky that I managed to record a few decent lines here and there as I lack any sort of technique for singing.

We are in tribute to the nasum by "Power it up" and very proud of that. I would like to know what your expectations for this tribute. Nasum Rules! I am excited to hear it! Some of the song choices are very surprising to me to it will be quite fun to hear it.

Question from Lucas posted November 4, Nope, I sort of doubt that they had any real lyrics anyway There's a vinyl reissue of "Human 2.

Question from Josh posted October 31, Anders, I think that it is a pitty that most bands around are only present on myspace anymore That's kinda topic for some lyrics.

And so I am very thankful that you are keeping the "old" cyberspace tradition for Coldworker and mainly Nasum. I just wanted to let you know that you are doing great work with that and that this question and answers option is very special to me since I am taking opportunity of it for so many times.

No question this time. Just an accolade! Question from H posted October 29, Question from Josh posted October 22, Finaly the Tribute to Nasum is going to be released in November. Did you already listen to all the Covers? I'm waiting for the final album as everyone else. I am very surprised by the choises of songs though, pleasantly surprised Question from Andreas posted September 30, Question from Rugge posted September 27, Question from H posted September 23, I'm sort of quoting the information I've gotten from Relapse regarding covers: You need to speak to John Williamson at Domino Publishing Company johnw dominorecordco.

But - I would advise you to pick another song. I don't know how many version I've heard Question from the destroyer of worlds posted September 4, Goddag Anders! Question from tiong posted September 1, Question from deadmeat posted July 30, And one more question that I'm curious about.

During the first eight years or so there was much more growling than screaming in the music of Nasum. But after about there was almost no growling, but there was much of screaming instead. So I wonder if it was a consious decision of yours to use more screaming, or it naturally came without much considering?

Not sure that no one asked this before, but thank you for spending time on reading this, anyway. It had to do with us starting to play live and couldn't do the dual vocals we had had on most of the records, so Mieszko obviously became the lead singer.

Hello once again. I was just looking through the questions here In the answer on December 1, you wrote: "One day I will try to have all the Swedish lyrics translated on nasum. Do you still plan to do this? I mean, more that half a year has passed, do you still remember of this intension? Question from irvingrind posted July 29, Question from deadmeat posted July 29, Hi, I'm from Kazakhstan, it's South from Russia.

I wonder if you knew you had fans over here. When I listen to Nasum I'm just overwhelmed with emotions, and your music means a lot for me. One of my favourite songs is "Hets" from "Shift", the lyrics are not in English, so could you, please write in a couple of words what it is about?

Rerun of a reply written almost a year ago Q: Are there any english translations of your swedish songs like "Hets"? A: Not really, but here is a "quick and dirty" translation, without any poetic ambitions What the fuck happened to your life and dreams?

A struggle for something unreachable and slippery Your skin is whipped, it's beaten so it hurts All this fucking stress drowns your life in black What?

Are you supposed to lie down and die? Burnt out, wasted and totally run down - Throw out the corpse, waste the shit! Is this the thanks you will get? Wear and waste, wear and waste - bring on the next slave - You have to produce, concentrate, feel no guilt You feel their eyes, you always feel the preasure And your motivation is golden watch Consumed by time, a slave under the stress What?

Wear and waste, wear and waste - bring on the next slave What happened to your life? What happened to your life? The stress took over your life! I have never really found a good English word for it. It's like a mix of haste and stress. Question from Omen posted July 23, Hey, I was wondering; what led you to designing the logo that has been a trademark for Nasum's existence? It's a unique one, surely, was there any inspiration for it?

I remember looking quite a lot at Disharmonic Orchestra's logo when drawing the original. I don't think it's that obvious, apart from perhaps the "S" which is sort of similar. Morning, Anders. From the years I've been listening to Nasum over and over again, "Shift" seems to give me some incredible feeling of nostalgia due to the very melodic parts in the songs. I was wondering what influenced you and the boys from Nasum to lean towards a more melodic side Mostly the endings of "Closer to the End", "Darkness Falls", and parts of "Ros" , and who made the decision to head down that path?

I read a review online, where someone said that you guys were stealing from "At the Gates", which I thought was complete bullshit. It's really Nasum's own unique sound, and take on it. What it all comes down to is the drop-A-tuning that was introduced completely on "Human 2. As for the examples you mention - the ending of "Closer to the End" is heavily inspired by Isis and I remember Jon laughing as he said that none of his other bands would let him getting away with such an obviously stolen part.

At The Gates was a source of inspiration as any other Swedish metal band, but perhaps not as obvious in our sound as for example Entombed.

The only thing I can certainly say is stolen from them is the break and the word "Go! Question from irvingrind posted July 16, Hi anders, my name is irving diaz, i'm from mexico, I would like to wholeheartedly thank Nasum, especially you and Mieszko for so many songs with that feeling of hatred, despair, frustration but at the end of hope, so characteristic of Nasum Exactly what each symbol of the album shift means??

Well, the first one is some kind of sun symbol and the second one is a political misch-masch that I don't quite remember the exact meaning of. Question from Omen posted June 28, Hey, figuring this year will be the fifth year since Mieszko's pass-away, I was wondering how you will memorize him? I mean, he will always be on your mind, but I was thinking of arranging a show here in Belgium in honour of him.

I never personally knew him, which then again makes it a little bit ridiculous. Good question. I have something in mind, but I choose not to disclose any details since I can's guarantee something.

Question from yu posted June 20, LOL Because the lyrics are very genuine, honest and heartfelt. I love them. I am also posting some of them on friends' forum to share. All the best. Question from armin schweiger posted June 17, By the way! What is it about with this nasum-tribute thing?

Do you know, whom we should contact, or what we should do? Thanks anyway, armin. It's scheduled to be released at Obscene Extreme, so you are too late. But fortunately for you. More info at power-it-up. Question from Yu posted June 16, Hey Anders, just wanted to let you know that today I was listening to Grind Finale and I was almost crying as I read through the lyrics.

I love Nasum. Question from Jon posted June 13, I've been a fan of nasum for a while, and randomly decided to listen to shift for nostalgia. While listening to it, I made the sad realization that I will never be able to see Nasum live. Fuck, Anders, keep doin what you're doin. I dont give a shit if you write a response to this, but I hope you read this and know you made someone very happy with your music.

Question from Matteo Berni posted June 12, Hi, I'm an Italian fan of you, i knew your music when I listened to your Split 7" EP with Agathocles let me say that the Agathocles' side sucked, while now the Agathocles are really good, as they've improved their technics.

I'd like to ask you a few questions: 1-Have you ever been to Italy? Yes, Nasum was in Italy three times. The absolute last show was in Italy. Perhaps in the future, but not this year. I like a lot of music, most kinds of metal, most kinds of alternative music and some commersial. This was question - congratulations!

Question from Grindersorpresa posted June 8, I think I've listened to them, but I can't remember. I'm not keeping track of current grindcore. Question from dan posted June 6, It was a very cheap shirt. What can I say, it was our first shirt after the debut album and we were broke. Question from Johannes posted June 5, Question from Lucas posted May 22, Hi Anders did Nasum play in poland or had an opportunity to play?

Nasum never visited Poland, but Coldworker might show up in the future. Who knows? Evening, Anders. Your snare drum has one HELL of a bang to it. I was wondering if you could tell me what kind of snare model that was? It sounds tight as hell, and extremely pulverizing.

I love it! I wouldn't judge the sound of a snare from a live clip on YouTube But it's the Black Panther as usual. Cool clip, I haven't seen it before. Completely out of sync though Question from Hunetele posted May 14, Do you know something about the Grind finale LP set repress? Are there any clear vinyls pressed? Are there any black vinyls pressed from the Doombringer LP?

Mannnnny Thanxxxxx! No represses are planed. And "Doombringer" was only pressed in weird colors as far as I remember. Question from M posted May 9, Question from k posted April 27, Yes, he was Polish and came to Sweden at age 7 if I remember correctly. Question from Hunetele posted April 21, I just want to ask that will the videos from the download section be downloadable again? Did you heard something about the Nasum Napalm Death split?

Apparently the server where I had all the videos and songs have disappeared, so I need some new place to host them The split is coming Hello, Anders! It's about time a "Shift" based shirt was released..

It's got quite the interesting look to it. Good afternoon, Anders! What was one of the funnest and most memorable shows you ever played with Nasum?

There were obviously a ton of venues you played at, but I was wondering which one you had the most fun with out of them all and why? I believe that the most fun was at different festivals, like the two times on Hultsfred, Wacken and so forth. As for venue shows But I think the warehouse gig we did in Lancaster at the end of the US tour was the most fun.

Question from Andrew Coutts posted March 11, Hi anders odd question here but any info would be greatly appreciated. Do you happen to know what bass Jesper used live in the Hultsfred Festival video? Mainly Ive seen him use it in the Human 2.

It was 5 string and black. Cheers if you have any info. Yes, it's my old 5-string Washburn bass, that my parents gave me on my 18th? It was used in Necrony and also in Nasum, like on this picture , where Mieszko is playing the bass. It's not a fancy bass at all. Question from Anders posted February 11, Question from Blastface posted December 30, Through all the Nasum albums, I was wondering which one held your favorite snare drum sound?

Are you very picky on having the perfect snare sound? Did you use different snares through out each album? I thought the production from each record would change the sound of it.

Overall, I really loved it on "Helvete", it had such a bang on clang sound to it. I'm dying to hear other bands try to cover already amazing masterpieces. The snare is arguable the hardest "instrument" to get right in a recording, I have yet to experience the perfect snare sound on one of my own recordings. I can remember what snares we used. Soundlab had one of two that was primary used because they were better than mine.

I don't think I've used my own snare on any real recording. Can't say which album has the best snare right now, and no new info about the comp. Question from dino posted December 28, The sound is more about the guitar mikes, the pedals and the amp rather than the guitar and strings itself. Question from Omen posted December 26, Hey man! I have two questions. I know enough Swedish to know the meaning of "skit" in Swedish Was Urban's last name made fun with or is it pronounced completely differently?

Also, I got the Grind Finale as a present from my brothers girlfriend who had it lying around it actually was a gift from her ex boyfriend yesterday. I saw that the booklet was layed in upside down. Is this normal?

Happy Christmas for all of those who come looking here, or something. Skytt isn't pronounced the same way and I can't remember one single time that we made fun of it in that sense. The word "skytt" means shooter, so it's quite different from "shit".